I
have tried to
avoid 'stretch' chords, but instead have included chords
for people who don't have particularly long
fingers, or incredible dexterity. Wherever possible, I
have concentrated as much as possible on two finger
chords, as my personal observation about
'modern' mountain dulcimer tab and methods, is that there is
over-use of three finger chords, resulting in killing
the drone sound associated with the more modal forms
of music. This sound is the very thing which captured
the attention of many dulcimer players and drew them
to mountain dulcimers in the first place. There are many
three finger chords not included here, because
they can be found in plenty of other
places. I have included bar chords because
they provide an easy
to remember means of playing a mountain dulcimer accompaniment with
other instruments, and other three finger chords where
there are few options without using them.
Included also are chords for those who have a 1 1/2 fret,
notated as '1+', emphasizing two
finger chords where
possible.
In choosing which particular chord to use, decide whether you want a higher or lower pitched sound to determine what part of the fretboard you want to play on. What chords are before or coming after the chord in question? Choose chords that will make the changes from one to another easy to perform smoothly. Consider what drone sounds you want to emphasize, and how the particular chord form you are choosing sounds with the melody and the other chords you are using. Because of the largely diatonic design of mountain dulcimers, many of these chords are partial chords, and so will sound right in combination with certain other chords and within some songs, but all are not always interchangeable.
When accompanying songs such as 'Old Joe Clark' which has 13 measures of D chords and only 3 measures of A(7) chords, you can really liven up the accompaniment by incorporating a pattern of several different D chords into your playing. This chart gives you a broad range of chords to choose from without 'killing the drone', which may not be a significant concern when playing with different instruments, but is an important consideration for a traditional mountain dulcimer ensemble. Because many chords listed here are partial chords, some patterns are listed as a couple of different chords, such as some that can be used either for the tonic (I) or the relative minor (VI) in a given key. If a song uses both of these chords, it is best to avoid this common form for both, within that particular song. Experiment, and by all means, use some of the simpler chords in places where more difficult forms of the same chord make you feel like you're playing 'Twister' with your fingers on your fretboard.
All
chords
with three numbers in a column are for three string, or three
course
tuning. The top number is for the bass string(s), the farthest
from the player as
they look down at the dulcimer. The middle number is for
the middle
string(s), and the lowest number is for the 'melody' string(s),
the nearest to
the player's body.
Copyright©1999,2004 Dennis DenHartog:You may
print these charts for
your personal use only.
Please
contact
me
at:
before
distributing these
charts to anyone else.